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Staci Crutchfield

Artist Bio

Staci Crutchfield is an itinerant potter who has pursued a self-directed study of wheel and sculptural pottery techniques since 2005.

Her interest in clay, seeded while living in Japan during high school in 1982, continued through her tertiary education in Asian Studies at the Australian National University and work in the tourism and hospitality sector to then provide a creative antidote to the challenges of delivering social services to those who need them the most while working in the Public Housing sector in New South Wales between 2011 - 2021.

In 2014, Staci built a portable wood-fired kiln to further her understanding of high temperature wood-firing and the use of ash glazes. In conjunction with attending ceramic workshops and conferences in Australia, Italy and Hungary, she has travelled to Mali, West Africa and Malekula, Vanuatu to experience the traditional clay arts and handicrafts of these cultures. Her current practice is based around carved functional vessels where the form directs the decorative surface treatment and sculptural work using found and altered clay bodies, which combine textured surfaces from the natural environment with small clay origami cranes.

A founding member of Claypool in Sydney, she has also been a member of the Bribie Island and Shorncliffe Pottery Clubs and is thrilled to have been invited to fire kilns with many of the wood-firing community.

Staci is interested in collaborating with makers in other media such as fibre, wood, glass and metal whereby her clay cranes or abstract forms could be incorporated into works with shared themes.
Staci has exhibited at Pine Street Creative Arts Centre and Yuga Cafe Gallery in Sydney.

Artist Statement

Hart Island Dreams is a memorial to the people buried at Hart Island NY due to COVID-19 related deaths. Watching footage of refrigerated trucks and numbered burial boxes marked with generic identifiers such as, “hispanic male", "white female" "unknown youth" in 2020, I decided to bring together a work which commemorated the lives of these supposedly unknown individuals.

I reflected how in other circumstances, where more time and resources might have been allocated to follow up on identification, the families and communities of these people could have been informed of their passing. I was moved by the thoughts that these people would be missed. Many of their loved ones were left not knowing why they would not see or hear from them again and that these connections were now lost along with the dreams and hopes which had guided the deceased through life.

The ornate wooden picture frame references photographs many would have of a family member, with the silver, white, brown and black chevron fabric reflecting a diversity of cultures. The salt fired terracotta heart shape on white material alludes to the loss felt by those who had known the people buried and the pain, albeit in some cases unrealised, of not knowing what may have happened to those they will not hear from again.

The river of over 150 small clay cranes representative of the individuals buried on Hart Island and the paths their lives took.

In researching the history of Hart Island for this work, first displayed as part of the Australian Ceramics Open Studios weekend 13 & 14th November 2021, I learned of the Hart Island Project and with more research for this iteration of the installation, of the Traveling Dreams Museum and Hart Island COVID19 Initiative. It was also of interest to me that the island was also know as a Potter’s Field where red clay was dug to be used for ceramics. Part of the motivation for Hart Island Dreams is a heightened sense of distance and separation I have felt during the past two years.

My plans to return to the United States in 2020, having been born in Houston Texas in 1966, to reconnect with my family and history were interrupted by the impact of COVID-19 and other life challenges. Since mid 2020 more members of my family have died with whom I will now, no longer be able to share stories.

I was so pleased to read about the efforts of the Hart Island Project to reconnect people with information about their loved ones and memories.

I am very glad to see the serendipity of these projects realised by nominating The Hart Island Project as the affiliated charity and thank the Darlington Installation Project and Angela Stretch of for the opportunity to display this piece. Thanks also to Sandy Lockwood for salt firing the terracotta heart and Agatha Pupaher for assistance with the installation.

In memory of David.

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